In discussing the Angel episode Spin the Bottle, Mary made a comment that it was a “cliché storyline” along the lines of twins switching places, or someone with powers getting a cold that affects said powers. This gave me something to think about, and Russ and I something to talk about, so I just want to open up the floor to the question: what, exactly, is a cliché?
Dictionary definition: 1 : a trite phrase or expression; also : the idea expressed by it
2 : a hackneyed theme, characterization, or situation 3 : something (as a menu item) that has become overly familiar or commonplace.
(Well, I don’t know what that “menu item” is all about. If you go into McDonald’s and order a Big Mac, is that a cliché?)
Now, as for a cliché being “hackneyed,” I needed to go back to the dictionary to be sure I understood all the implications of that word. Here’s the dictionary definition of hackneyed:
1 a : to make common or frequent use of b : to make trite, vulgar, or commonplace
So, before we go any further, I have to say I am most disappointed in the dictionary for using this circular method of definition. A cliché is hackneyed, which is common, which is trite, which is commonplace, which is, in turn, cliché. Anyway, I think we get the idea.
But…
As far as literature (and by this, I also mean movies and TV shows), when and how does a story pass from “common” to cliché? I mean, let’s consider, there are only so many stories in the world. There is nothing really truly *new * out there, it’s just a matter of how one combines the elements to give it all a new slant.
I hate to do this (No! Actually, I LOVE to do this) but I’m going to quote NaNo guru, Chris Baty, because this little passage is so incredibly telling:
“Can someone in your story get fired? Can a marriage or relationship implode? Can someone get a disease? Can someone die? Can an unexpected windfall occur? Can someone be wronged, and set out to exact vengeance? Can someone find a precious or unusual object? Can your character set off on an impossible quest or journey? Can someone try to become something they’re not? Can someone fall in love with someone who is off-limits or wildly inappropriate? Can your character be mistaken for someone else?
If all of these questions sound suspiciously familiar, it’s because one of them…has driven the plot of nearly every movie you’ve ever watched and every book you’ve ever read.”
Wow. Think about it. Except for “Can your character have to overcome a natural or supernatural disaster?” I don’t think this list misses too much, does it? As I said, only so many stories in the world. So. When do we pass into the realm of “cliché”?
And while we’re at it, you know, there’s a *reason * why clichés exist. It’s exactly because they are common, and representative. Let’s go back to my mention of someone going into McDonald’s and ordering a Big Mac. In the movie, Bedazzled, which I re-watched recently, Brendon Fraser does exactly that. As I’m sure has been done by hundreds of other characters in hundreds of other movies. Are we going to bemoan the fact that this is a cliché? Don’t you see why the writer/director has him order a Big Mac at McDonalds? Because that’s what it means to have the McDonald’s experience.
Sure, the character could have gone in and ordered the side salad and an iced tea, but that would have distracted from that story, because we would have been asking, “What is the writer trying to say by having him order a side salad and an iced tea? Is he a health food nut? Is he worried about his weight? Is he a pansy?” No, no, no! Don’t go there! The writer doesn’t want you to go there. The writer just wants you to know that his character is at McDonald’s. Hence, he has him order a Big Mac.
Okay now…Twins switching places? Yeah, I agree. Cliché. A cold affecting powers? I don’t know, maybe I’m not watching the right kinds of shows, but I haven’t really seen that one too often. And that brings up another point! What is cliché for one person, might not be for another person. Someone who is an aficionado of the mystery novel is going to instantly recognize all the clichés of that genre, but someone who has limited exposure to this kind of story is going to see something and say “Ooooh! Cool! How innovative and creative!”
I think what I’m saying is “Cliché is in the eye of the beholder.” So who is going to set the limits on where clichés begin and end? There is an “expert” for everything in the world. Is that person the one that sets the limits? Or are we going to try to find the common ground, what “most people” are familiar with? Who is going to determine that? Is there any way for anyone to really know what everybody else knows, what they are familiar with, what they are thinking?
Finally, I think, what it comes down to, when all is said and done, is that maybe it’s not really so important whether or not something is “cliché” but rather how well the story is told.
Once again, I quote Chris Baty:
“A good plot is less a matter of innovation and invention as it is one of creative re-use; the most acclaimed books of the modern era have used the same building blocks as the worst soap operas and clumsiest cartoons. The main thing separating the mind-blowing, life-changing stories of a great novel from the treacly dreck of daytime TV is THE MANNER IN WHICH THE TALE IS TOLD.”
Now, Mary may still disagree with me on whether or not the Angel episode was well-told (and in fact, she does!), I’m just saying I wouldn’t be so quick to call it clichĂ©—at least not until we’ve got a better definition than the one offered by the dictionary!
And I’m not entirely sure that’s possible.